No particular need to comment on this one, it speaks for itself.
I’ve been enjoying various crowdsourcing projects for many years, most noticeably Flickr Commons until Flickr’s user interface became unwieldy for my purposes, about a year ago. I still use Commons images for collage projects sometimes, but only from my “Flickr Favorites” board at Pinterest. (Can you still use Flickr? Good for you. I can’t. Yes, I know changes are afoot. Changes are always afoot at Flickr; that’s not always something I like in a website.)
So I needed a new crowdsourcing home, and Wikipedia was the obvious next choice. I’d already started to do little tasks there, and I was already comfortable writing Encyclopedia-ese from two print encyclopedia projects I worked on. Now, a year on, I do still miss my Friday mornings with the Bain Collection, but I have a new playground, and so far I’ve liked that a lot too.
As of this morning, I’ve created 27 new entries on Wikipedia (26 on my own, one to help a friend whose work was stuck in an editorial queue). Mostly women, but there are two men (both of them involved with oceans, though that’s a coincidence); a lot of people involved in museum work, which I don’t do, but I guess I gravitate towards those who do. Some of these names I knew before starting their entries, but some were new to me on that day. I like edit-athons, and I like picking names from a list and seeing where they take me. Not surprisingly, I prefer writing about dead people, because their obituaries and tombstones are fair game, and their images are more likely to be available for use. Six of my posts have been linked on the front page of Wikipedia as “Did You Know” (DYK) facts so far–not for more than a few hours, but it’s still a hoot, and the process of getting there is an impressive part of the backstage rigging of the site.
And yeah, six of them involved Flickr Commons images I wanted to know more about. So it’s maybe not such a big shift after all.
Here are my 27 entries as of June 23, 2014:
(*=written as part of an editathon)
- Gertrude Van Wagenen (DYK 19 March 2013)*
- Nelle Richmond Eberhart (DYK 30 July 2013)
- Edith R. Wyle (DYK 4 March 2014)
- Pauline Gracia Beery Mack (DYK 22 March 2014)*
- Chizuko Judy Sugita de Queiroz (DYK 13 May 2014)*
- Henrietta Rodman (DYK 27 May 2014)*
- Grace Nicholson*
- Zarh Pritchard*
- Lydia Fowler Wadleigh*
- 40 Families Project*
- John Francis Ropek
- Fanny McIan*
- Mary Rose Hill Burton*
- Sandra Welner
- Zelma Wilson*
- Caroline Gardner Bartlett
- Jessica Duncan Piazzi Smyth*
- Maud Younger
- Tsianina Redfeather Blackstone
- Eveline Winifred Syme*
- Ethel Spowers*
- Lill Tschudi*
- Antoinette Rodez Schiesler*
- Nellie May Naylor*
- Shirley Kaneda
- Gretchen Sibley
- Adrienne Asch (with Beth Haller)
Our kitchen table needed covering–we don’t eat at it much, it mostly holds groceries and boxes and backpacks and such. But we can’t use tablecloths, because a member of our household pulls them down, every time. So, I was thinking, “fitted tablecloth”? Do they make such a thing? And then… can I make such a thing? I might have been able to sew a cover, but decided that it’s easier for me to crochet. I used various fabric strips from Trash for Teaching (of course), so it worked up quickly, and the results are stretchy enough to hug the tabletop, and cushion it from any sharp corners.
Yes, it does look like I yarnbombed my own kitchen, but that’s a bonus for me. Speaking of which, there’s still time to go see Surroundings, the current installation by Yarn Bombing Los Angeles, at the Manhattan Beach Creative Arts Center.
Are you an art teacher? Does it pain you to throw away the paper plates of expensive paint after a lesson? Make serendipity paints. The three above came from one large classroom’s leftovers! Three spice jars, one each for reds/blues/golds, scoop and scrape your paints into the jars to filled, cap tightly. These are great prizes for young artists, or gifts for fellow art educators–practically free, and they’re keeping some paint out of the trash.
I’m making a ring for the Yarn Bombing Los Angeles project “Put a Ring on It.” While an engagement ring seems to be the reference intended — as in “if you like it, why don’t you marry it?” and bringing in the idea of “engagement” in community — I thought of a secret decoder ring, and about crocheting in Morse code.
According to this Morse code translator, “put a ring on it” is .–. ..- – / .- / .-. .. -. –. / — -. / .. -
I made the dots red, the dashes aqua, and the spaces (slashes) dark green:
.–. ..- - / .- / .-. .. -. –. / — -. / .. -
Each row is a symbol; so three dashes in a row are three aqua rows.
I made a swatch with thrifted acrylic DK yarn, 32 rows, 16 stitches per row; that’s enough for a ring that’s a little bigger than a bagel, and looks like a chunky bracelet.
I stuffed it with a plastic bag (which doesn’t add weight, and doesn’t mind a little rain).
When I’ve made a few, I’ll place them in the community, and I’ll contribute photos to the Put a Ring on It Project. Stay tuned.
It was a good year for reading here! Thirty-nine books finished. Some illustrated books, some YA novels–and I counted 1Q84 as THREE books, because it is. ;) BG=Book Group selection. I’m in two book groups, so a lot of my reading is driven by that. Also, I’ve been getting a lot of advanced reader copies from Mysterious Galaxy Redondo Beach, so some of these were read in that format (one of the books listed, Annihilation, won’t be published until February 2014, for example). Finally, this was the first year I read any books on a Kindle (starting with The Age of Miracles).
These are numbered in chronological order, from January to December.
1. Erin Morgenstern, The Night Circus (BG)
2. Jo Walton, Among Others (BG)
3. Rhoda Janzen, Mennonite in a Little Black Dress
4. Cory Doctorow, Eastern Standard Tribe
5. Lisa Genova, Left Neglected
6. Jess Walter, Beautiful Ruins (BG)
7. Cory Doctorow, Someone Comes to Town, Someone Leaves Town
8. Melanie Gideon, Wife 22 (BG)
9. Katy Gardner, Losing Gemma
10.-12. Haruki Murakami, 1Q84 (three volumes)
13. Cheryl Strayed, Wild (BG)
14. Kirsten Miller, Kiki Strike: Inside the Shadow City
15. Erik Larson, Thunderstruck (BG)
16. Marisha Pessl, Night Film
17. Doris Lessing, The Fifth Child
18. Jim Knipfel, Slackjaw (BG)
19. Kirsten Miller, Kiki Strike: The Empress’s Tomb
20. Jim Knipfel, Quitting the Nairobi Trio
21. Karen Thompson Walker, The Age of Miracles
22. Peter Heller, The Dog Stars
23. Molly Peacock, The Paper Garden
24. Susan Nussbaum, Good Kings Bad Kings (BG)
25. Kirsten Menger-Anderson, Doctor Olaf van Schuler’s Brain
26. Kate Atkinson, Behind the Scenes at the Museum (BG)
27. Nick Bantock, The Forgetting Room
28. Heidi W. Durrow, The Girl Who Fell from the Sky
29. Amy Gail Hansen, The Butterfly Sister
30. Jeff Vandermeer, Annihilation
31. Nick Bantock, The Venetian’s Wife
32. Lisa Brackmann, Hour of the Rat
33. Thrity Umrigar, The Space Between Us (BG)
34. Tana French, In the Woods
35. Julian Barnes, England, England
36. Connie Willis, To Say Nothing of the Dog (BG)
37. John Scalzi, Redshirts
38. Tana French, The Likeness
39. Ann Patchett, The Patron Saint of Liars (BG)
I’ve been wanting to do this for a while, and this is a good time of year to do it: here’s a page of all our costumes. Do you remember me or daughter wearing something fun for Halloween or another event? You can probably find it on the new “All our costumes” page. I’ll be adding the 2013 costumes soon, probably this weekend, when we start wearing the final versions in public…
My son turned eighteen this week. For many years, when folks asked, “What will happen when he’s an adult?” I answered, “Let’s get there first, and then we’ll see.” We’re there now. It’s not the usual eighteenth birthday, by a long stretch, but it’s his; and he is indisputably a happy young man.
On the same day I read that Scranton is a great place for upward mobility, I also read this. Covenant Presbyterian‘s not an abandoned church. It’s a big, functioning congregation, with a particular outreach to adults with developmental disabilities — which I never thought much about as a teen attending there, but now I recall that work with a mother’s gratitude. It’s the church where I went to nursery school, and (much later) the church where we got married, so yeah. Leave the copper alone, please. (This week also saw a lovely old landmark high school building in my hometown burned to the ground. My grandparents went to school at that site. Whatever replaces it won’t be a school — the town doesn’t need more schools — and it won’t be near so good-looking or sturdy, guaranteed.)